ALA CORPORATE ART COLLECTION • ALEK O. \ CATHERINE BIOCCA \ VERONICA BISESTI \ BEA BONAFINI \ ANDREA BOLOGNINO \ ANTONIO DELLA GUARDIA \ EFFE MINELLI \ GIORGIA GARZILLI \ CORINNA GOSMARO \ MARIANGELA LEVITA \ MOZZARELLA LIGHT \ GIULIA PISCITELLI \ MARIA POSITANO \ ALBERTO TADIELLO \ EUGENIO TIBALDI \ ALICE VISENTIN • THE COLLECTION CAN BE VISITED BY APPOINTMENT ALAFORART@ALACORPORATION.COM
ALICE
VISENTIN
Arabesco
2023
Acrylic, watercolor, colored tape, spray on paper and fabric, glass
114 x 84 cm
Vanno e vengono
2023
Acrylic, watercolor, colored tape, spray on paper and fabric, glass
114 x 84 cm
Visentin’s practice is grounded in an understanding of reality as a mutable dimension, constantly transformed by the interactions between bodies and words, dreams and murmurs carried by the wind.
Through her work she explores the generative capacity of imagination and the possibility of accessing other levels of sensing and experiencing according to an intuitive understanding of things which appears possible only thanks to the encounter with the other.
Alice Visentin,
Arabesco, 2023
Installation view
Ph. A. Benestante
Alice Visentin,
Arabesco, 2023
Ph. A. Benestante
Alice Visentin,
Vanno e vengono, 2023
Installation view
Ph. A. Benestante
Alice Visentin,
Vanno e vengono, 2023
Ph. A. Benestante
Alice Visentin (b.1993, Ciriè) graduated from Accademia Albertina di Belle Arti, Turin. Among her solo shows: Everyday Mystery, Giò Marconi, Milan (2024); The morning tide of moods, Lateral Roma, Rome (2023); Malefate, Almanac Project, Turin (2021); Planète, Italian Cultural Institute of Paris (2021); Prima Persona Singolare, Tile Project Space, Milan (2017).
Among group exhibitions: Pittura italiana oggi, curated by Damiano Gullì, Triennale di Milano, Milan (2023); Espressioni con Frazioni, curated by Carolyn Christov-Bakargiev, Marcella Beccaria, Marianna Vecellio, Castello di Rivoli (2022); Pittura in persona, CRC Foundation, Cuneo (2021); LXII Premio Termoli, Museo MACTE, Termoli (2021); Domani, Qui, Oggi, Palazzo delle Esposizioni, Rome (2020); Artagon, Cité internationale des arts, Paris (2018).
Visentin has won a fellowship in Visual Arts at the American Academy in Rome for the year 2023.
December 2025
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Technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
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